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Cinema through the Lens of ‘Breathless’ (1960): Girls, Guns, and the Ghosts of Parisย August 7, 2025 Naman Kumar
The Rajinikanth Effect: How Thalaivarโs Meteoric Charm Forged A Cultural PhenomenonAugust 5, 2025 Anju Devadas
Column · Featured The Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the Future Santosh Kumar Mamgain August 3, 2025August 6, 2025
Essay · Featured Neocolonial Anxieties in Bong Joon-ho’s ‘The Host’ (2006) Shahim Sheikh August 2, 2025August 2, 2025
Column From Muddy Skirts to Clenched Hands: 20 Years of โPride & Prejudiceโ (2005) Rajasree Biswas August 7, 2025August 7, 2025
Column Cinema through the Lens of ‘Breathless’ (1960): Girls, Guns, and the Ghosts of Parisย Naman Kumar August 7, 2025August 7, 2025
Column The Return of โChaotic Womenโ in Indian Independent Cinemaย Bipasha Bhattacharyya August 6, 2025August 6, 2025
ColumnFrom Muddy Skirts to Clenched Hands: 20 Years of โPride & Prejudiceโ (2005)August 7, 2025 Rajasree Biswas
ColumnCinema through the Lens of ‘Breathless’ (1960): Girls, Guns, and the Ghosts of Parisย August 7, 2025 Naman Kumar
ColumnThe Return of โChaotic Womenโ in Indian Independent Cinemaย August 6, 2025 Bipasha Bhattacharyya
Essay · FeaturedThe Rajinikanth Effect: How Thalaivarโs Meteoric Charm Forged A Cultural PhenomenonAugust 5, 2025 Anju Devadas
Column · FeaturedThe Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the FutureAugust 3, 2025 Santosh Kumar Mamgain
Essay · FeaturedNeocolonial Anxieties in Bong Joon-ho’s ‘The Host’ (2006)August 2, 2025 Shahim Sheikh
EssayBeyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-edaโs Cinemaย July 31, 2025 Anju Devadas
ColumnWhy do all the Contemporary Villains Sound Like They’ve Read Camus?ย July 30, 2025 Bipasha Bhattacharyya
ColumnThe Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindanโs Pokkuveyil (1982, Twilight)July 30, 2025 Rugmini Dinu
EssayHaunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindanโs โChidambaramโ (1985)July 28, 2025 Anju Devadas
ColumnThe Horror of the Unseen: How the 1999 Movie โThe Blair Witch Projectโ Redefined FearJuly 24, 2025 Em Stonham
ColumnThrough the Lens of Love and Longing: Revisiting Kieลlowskiโs โA Short Film About LoveโJuly 21, 2025 Rugmini Dinu
ColumnโThe Ugly Stepsisterโ (2025) and the Cost of Becoming โBeautiful EnoughโJuly 21, 2025 Aja Haymore
Essay · Featured The Rajinikanth Effect: How Thalaivarโs Meteoric Charm Forged A Cultural Phenomenon Anju Devadas August 5, 2025
Essay · Featured Neocolonial Anxieties in Bong Joon-ho’s ‘The Host’ (2006) Shahim Sheikh August 2, 2025
Essay Beyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-edaโs Cinemaย Anju Devadas July 31, 2025
Essay Haunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindanโs โChidambaramโ (1985) Anju Devadas August 3, 2025
Essay · Featured Lolitaโs Daughters: Innocence, Eroticism, And Cinematic Obsession With The Nymphet Anju Devadas July 26, 2025
Essay The Fangs of Fear: Exploring Horror and Dread in ‘Jaws’ (1975) Krishnanunni Padinjassery July 16, 2025
Essay Fragments of the Forgotten: Memory Loss and the Mystique of Identity in Indian Cinema Anju Devadas July 10, 2025
Essay Destination Moon at Seventy-Five: Reassessing a Pioneering Vision of Space, Science, and Enterprise Andrew Kidd June 29, 2025
Essay The French Dispatch: or All Great Beauties Withhold Their Deepest Secretsย Hector Levya July 4, 2025